So this year I'm doing this list in a slightly different order. Instead of the normal music list first, followed by TV, followed by episodes, we're jumping straight into episodes. And don't expect to be able to guess the TV list from these episodes, considering about half of them won't be on my overall list at all. Onward to the honourable mentions! (Oh and spoilers for any of these shows that you haven't watched but will want to in the future).
Honourable Mentions:Black Mirror - '15 Million Credits'
Doctor Who - 'The Girl Who Waited'
Chuck - 'Chuck versus the Santa Suit'
How I Met Your Mother - 'Ducky Tie'
Justified - 'Bloody Harlan'
Supernatural - 'The Man Who Knew Too Much'
11. Adventure Time - 'Still'
Adventure Time is easily one of the weirdest shows currently airing on TV, and whilst it is definitely aimed at kids, there is still something for adults to appreciate. It might not be appearing on many critics lists for 2011 (although IGN did rank it their favourite Animated Show of the year), I'm going to be detailing probably my favourite episode Adventure Time aired all year. Ever since 2010's brilliant 'What is Life?' I fell in love with Gunter the Penguin, so having an episode which showcased how brilliant he is was always going to rank highly in my books. And that's not mentioning the brilliance of having the Ice King dress as a very creepy Finn or the fact that Finn's astral beast is just a whole load of butterflies. But it's Gunter that makes this episode, because who can't love the most evil thing in the world?
10. Homeland - 'The Weekend'
'The Weekend' was when Homeland proved it wasn't going to be like most shows on television. For a serialised show to essentially lay all of its cards out on the table halfway through its first season is a huge risk, that worked out wonderfully the show. Of course, being from the writers of 24, there was always the risk that the events of 'The Weekend' would be retconed in the future but that didn't happen. What makes 'The Weekend' such a great hour of television is the fact that it finally let us spend time with just Nicholas Brody (Damian Lewis) and Carrie Mathison (Claire Danes). The climax to this episode is just the two lead characters sat and discussing everything that has come before. It is wonderfully tense and beautifully acted scene that proves that tension can arise, even if the only thing happening on screen is a conversation.
9. Wilfred - 'Pride'
I'd enjoyed the episodes leading up to episode 7 of Wilfred. They were funny, dark and normally featured a cool guest star. But 'Pride' was when I decided I was in for the long run on this series. Reviewing an episode of comedy TV show pretty much comes down to whether that particular episode made you laugh, and 'Pride' did that. Whether it was the montage of Wilfred doing disgusting things to the stuffed giraffe Raffi or Jane Kaczmarek informing Elijah Wood when he goes down her that it was the "right rabbit, wrong hole" which elicited equal numbers of laughs and disgusted noises when it was uttered. Wilfred was one of my biggest surprises of 2011, and it's the episode that I keep going back to in my head as a signal to everything that the show does right.
8. Shameless US - 'But At Last Came a Knock'
I have to make the revelation that I've never actually seen a single episode of the UK version of Shameless, and seeing that I am from the UK, that is probably a huge travesty. But I can say that I thoroughly enjoyed the first season of the US version. What made Shameless US as good as it was were the fantastic performances by Emmy Rossum (seemingly making up for 'Dragonball Evolution' and 'The Day After Tomorrow'), Jeremy Allen White and Cameron Monaghan. The Gallagher kids story was easily one of the most engaging I saw in 2011, and whilst I thought that William H. Macy would sometimes drag the show down as Frank, 'But At Last Came a Knock' was an episode where he was used pretty much perfectly. The return of the kids mother was always going to be a big deal, and this episode handled the return perfectly. Emmy Rossum's impassioned speech at the hand being utterly superb. Whilst the follow-up episode fumbled the conclusion to this arc a little bit, it cannot take away from the sheer depth of emotion shown in this episode.
7. Boardwalk Empire - 'To The Lost'
After a season of pitting Boardwalk Empire's two leads, Nucky Thompson(Steve Buscemi) and Jimmy Darmody (Michael Pitt) against each other, it seemed obvious that this war would have to end soon, presumably with some kind of truce. For a while, the finale seemed to play to audience expecations, with Nucky and Jimmy offering each other advice, and clearing up each others affairs, that is until the final scene. Boardwalk Empire's second season closed on what was surely pantheon level scene of television, with the climactic confrontation between Nucky and Jimmy, culminating with Nucky shooting Jimmy at point blank range in the head. Boardwalk Empire's second season may not be a truly great show just yet, but to take a chance as big as killing of the co-lead in only its second season, shows just how much potential there is for this show to reach the upper levels of television along with Breaking Bad and Mad Men.
6. Sons of Anarchy - 'Hands'
I'll leave my thoughts on the whole of Season 4 of Sons of Anarchy for another blog post (needless to say, they were mixed) but I do really need to highlight just how excellent 'Hands' really was. Airing just as the season was building to its climax, this felt like the watershed moment for the series as a whole. This was the beginning of the end, the moment that had been coming for almost four whole years. Clay finally went too far and Jax (or someone else in the club) was going to have to deal with the fact that he just beat Gemma. Maybe this wasn't as bad as other moments from previous seasons dealing with Clay, but we all knew that this was something that Jax could not forgive. And that's not even mentioning the permanent damage done to Tara by the kidnap/murder gone wrong (also orchestrated by Clay) which also led to a fantastic scene in the hospital as Jax and Tara realised that they'd never get out of Charming with the clubs blessing. The season stalled quite dramatically after this episode, but like Season 2's 'Balm' and Season 3's 'NS', 'Hands' proved that Sons of Anarchy is the more than capable of putting terrific episodes of television.
5. Louie - 'Eddie'
Before this episode of Louie, my only knowledge of Doug Stanhope had come from the little pieces that he does for Charlie Brooker's Newswipe series. These on the whole were a mixed bag. Because of this, I was little nervous about whether or not I'd enjoy an entire episode of Louie wherein Louis CK had to deal with Stanhope. I should not have worried in the slightest. Louis CK is one of the sharpest minds in comedy right, but he also has an innate ability to write a compelling dramatic piece as well. 'Eddie' deals almost exclusively with Louis coming to terms with the fact that one of his fellow comedians from his early days on the stand-up circuit has essentially told him that he plans to commit suicide that evening. The highlight of this episode comes near the end where Louis confronts Eddie after a night of drinking as they stand next to the car about he really shouldn't commit suicide. It's not something that you'd expect to come from a show advertised as a comedy, but it's handled with such grace that's hard not to just stand back and watch in awe as the scene plays out on the screen, without ever contradicting any of the previous moments of comedy in the episode.
4. Parks and Recreation - 'Andy and April's Fancy Party'
There were so many episodes that I could have chosen from Parks and Recreation in 2011. Season 3 was such a fantastic season, that an argument could be made for almost any episode (such as 'Flu Season', 'Lil' Sebastian' etc.) but I finally settled for 'Fancy Party', not only because it came as a complete surprise but also because it was pretty everything you could possibly want from an episode of Parks and Recreation, a mixture of sheer hilarity and a general sweetness and sense of positivity that is sometimes lacking in comedy. The wedding of Andy and April came out nowhere, but it made perfect sense for these two characters to do something this random and impulsive, and it was the perfect counter to the wedding of Jim and Pam on the Office. But it's the little things that will make a Parks and Recreation stand above the others such as the first appearance of Orin, Jean-Ralphio or the moment where the dead dove is released after the ceremony. Maybe other things did things better, such as have more Ron or were maybe funnier all the way through, but in 2011 no episode summed up why I watch Parks and Recreation more than 'Andy and April's Fancy Party'.
3. Game of Thrones - 'Baelor'
Before I even touch on the obvious big moment that closes out this episode, it needs to be said that 'Baelor' was absolutely packed to the brim with awesome moments. Whether or not it was the revelation that Robb Stark had managed to kidnap Jamie Lannister right from under Lord Tywin's eyes. Then there's the absolutely hysterical scene as Tyrion, Shae and Bronn stay up late drinking and trading stories. Tyrion easily became the closest thing to a break out character on Game of Thrones, and it was scenes like that proved why, incredibly charismatic and hilarious to match. Then across the Narrow Sea we had Daenerys dealing with the impending death of Khal Drogo from his infected wound from the previous episode, and her ultimate decision to use the forces of magic to try and keep him alive, even if it cost her the life of her child. But of course, the big part of this episode has to do with the killing of Ned Stark (Sean Bean). Sean Bean was obviously the big name draw to Game of Thrones, as well as the apparent lead in its first season. Of course the joke that Sean Bean dies in every movie was around, but they couldn't kill him off when he's the lead of TV series that is supposed to last many years? But that's what they did, and the writers of Game of Thrones proved that they had the balls to follow through entirely with the template left for them with George R. R. Martin's books, even if many people felt betrayed by the (necessary) death of Ned Stark.
2. The Office - 'Goodbye, Michael'
'Goodbye Michael' might not be the best episode that The Office ever produced, but it was the perfect send off for the character for the character Michael Scott and Steven Carell. Yes the show probably should have ended with this episode, and yes the parts of the season that weren't really dealing with it being Steve Carell's last year were just as flat as any moment from The Office's worst points. But the departure of Michael Scott was everything that a fan of this show could hope for. Every single fair well to all the characters on the show were pretty much perfect, and the moment that Jim walked into Michael's office once he realised that Michael wouldn't actually be showing up for his 'last day' tomorrow, the tears started to come. Sometimes emotions can make something seem better than it probably is (see the Lost finale), but if something makes you feel an emotion, then screw the tiny insignificant faults, you've been made to care about fictional people, and that's all that really matters in the end. And of course, Steve Carell's final words on the show were going to be 'that's what she said'.
1. Breaking Bad - 'Salud'
Every year I sit down to write this list, there are always one or two shows that could fill the entire lists with absolutely fantastic episodes, and for the past three years, Breaking Bad has been one of those shows. Narrowing down just one of the thirteen episodes from Breaking Bad Season 4 was so difficult, it could have easily been 'Box Cutter', 'Hermanos', 'Crawl Space' or 'Face-Off' but I have decided that 'Salud' is the episode that was probably the clearest example of what Breaking Bad so effortlessly good in its fourth year. Season 4 is the year that Giancarlo Esposito (Gus Fring) stepped up and proved that someone in the acting world could stand up to the immensity of Bryan Cranston (Walter White) and Aaron Paul (Jesse Pinkman), and this episode played to all three of their strengths. From Walt's tearful admission of guilt to his son, to the intensity of the final few minutes as Gus put his plan into motion to poison Don Eladio and all of his capos. Director Michelle MacLaren (Season 3's 'One Minute') continues to prove that she is one of the best directors currently working in television, as she directs the best episode of the year two years in a row.
We all knew that this episode was coming. Since the season 3 finale, this episode was almost a necessity to explain who was in that damned coffin and why exactly they ended up there. We already knew Locke was in there, and we'd already seen him walking around after having being killed so what was left to shock the audience? Well that scene where Ben convinces Locke to not hang himself and then almost immediately strangles him using the very same rope he would have hung himself with. And of course the added poignancy that this episode really was the last time we saw Locke alive. One of the best bait and switches the show has ever done, and it pulled it off superbly.
After 4 seasons of getting to know the character of Richard, we still didn't know all that much about him. We knew he didn't age and that he had close ties to Jacob, but we didn't find out his backstory until this amazing Season 6 episode. Not only did we finally get an answer to the mystery of how exactly the Black Rock ended up in the middle of the jungle but also what destroyed the Four-Toed Statue and probably the most definitive answer we'll ever get as to what exactly the island is. All this, as well as getting to know the characters of Jacob and The Man in Black a little better. This could have turned the episode into an info dump, but a fantastic performance from Nestor Carbonell helped salvage it and he gave his best performance of the entire show, proving that he earned that regular credit far more than say Ilana .
The first episode back after writer's strike really set Season 4 up to have a mind blowing ending (which it did). Despite Ben still having a very rich past to delve into, this episode delved into his future and showed us what exactly he was doing off the island after it was revealed he was Sayid's employer in 'The Economist'. What followed was an hour filled with taut conversations between Ben and Sayid or Ben and Charles Widmore, and that's forgetting the island half of the story where shit was getting real. The mercenaries had killed Rousseau and Karl and kidnapped Alex and I don't think anyone was expecting Keamy to shoot Alex point blank so coldly after Ben tried to manipulate him into letting her go. This was one of Ben's greatest failures and he paid the price dearly. Michael Emerson sold the hell out of every scene in this episode, showing the pain he felt at causing the events that led to his daughter's murder. So he sets the Smoke Monster on them. Any episode with fantastic acting and an epic smoke monster attack is going to rank highly, and this one is probably the best of those in the entire series' run.
