Honourable Mentions:
Black Mirror - '15 Million Credits'
Doctor Who - 'The Girl Who Waited'
Chuck - 'Chuck versus the Santa Suit'
How I Met Your Mother - 'Ducky Tie'
Justified - 'Bloody Harlan'
Supernatural - 'The Man Who Knew Too Much'
11. Adventure Time - 'Still'
10. Homeland - 'The Weekend'
'The Weekend' was when Homeland proved it wasn't going to be like most shows on television. For a serialised show to essentially lay all of its cards out on the table halfway through its first season is a huge risk, that worked out wonderfully the show. Of course, being from the writers of 24, there was always the risk that the events of 'The Weekend' would be retconed in the future but that didn't happen. What makes 'The Weekend' such a great hour of television is the fact that it finally let us spend time with just Nicholas Brody (Damian Lewis) and Carrie Mathison (Claire Danes). The climax to this episode is just the two lead characters sat and discussing everything that has come before. It is wonderfully tense and beautifully acted scene that proves that tension can arise, even if the only thing happening on screen is a conversation.9. Wilfred - 'Pride'
I'd enjoyed the episodes leading up to episode 7 of Wilfred. They were funny, dark and normally featured a cool guest star. But 'Pride' was when I decided I was in for the long run on this series. Reviewing an episode of comedy TV show pretty much comes down to whether that particular episode made you laugh, and 'Pride' did that. Whether it was the montage of Wilfred doing disgusting things to the stuffed giraffe Raffi or Jane Kaczmarek informing Elijah Wood when he goes down her that it was the "right rabbit, wrong hole" which elicited equal numbers of laughs and disgusted noises when it was uttered. Wilfred was one of my biggest surprises of 2011, and it's the episode that I keep going back to in my head as a signal to everything that the show does right.8. Shameless US - 'But At Last Came a Knock'
I have to make the revelation that I've never actually seen a single episode of the UK version of Shameless, and seeing that I am from the UK, that is probably a huge travesty. But I can say that I thoroughly enjoyed the first season of the US version. What made Shameless US as good as it was were the fantastic performances by Emmy Rossum (seemingly making up for 'Dragonball Evolution' and 'The Day After Tomorrow'), Jeremy Allen White and Cameron Monaghan. The Gallagher kids story was easily one of the most engaging I saw in 2011, and whilst I thought that William H. Macy would sometimes drag the show down as Frank, 'But At Last Came a Knock' was an episode where he was used pretty much perfectly. The return of the kids mother was always going to be a big deal, and this episode handled the return perfectly. Emmy Rossum's impassioned speech at the hand being utterly superb. Whilst the follow-up episode fumbled the conclusion to this arc a little bit, it cannot take away from the sheer depth of emotion shown in this episode.7. Boardwalk Empire - 'To The Lost'
After a season of pitting Boardwalk Empire's two leads, Nucky Thompson(Steve Buscemi) and Jimmy Darmody (Michael Pitt) against each other, it seemed obvious that this war would have to end soon, presumably with some kind of truce. For a while, the finale seemed to play to audience expecations, with Nucky and Jimmy offering each other advice, and clearing up each others affairs, that is until the final scene. Boardwalk Empire's second season closed on what was surely pantheon level scene of television, with the climactic confrontation between Nucky and Jimmy, culminating with Nucky shooting Jimmy at point blank range in the head. Boardwalk Empire's second season may not be a truly great show just yet, but to take a chance as big as killing of the co-lead in only its second season, shows just how much potential there is for this show to reach the upper levels of television along with Breaking Bad and Mad Men.6. Sons of Anarchy - 'Hands'
I'll leave my thoughts on the whole of Season 4 of Sons of Anarchy for another blog post (needless to say, they were mixed) but I do really need to highlight just how excellent 'Hands' really was. Airing just as the season was building to its climax, this felt like the watershed moment for the series as a whole. This was the beginning of the end, the moment that had been coming for almost four whole years. Clay finally went too far and Jax (or someone else in the club) was going to have to deal with the fact that he just beat Gemma. Maybe this wasn't as bad as other moments from previous seasons dealing with Clay, but we all knew that this was something that Jax could not forgive. And that's not even mentioning the permanent damage done to Tara by the kidnap/murder gone wrong (also orchestrated by Clay) which also led to a fantastic scene in the hospital as Jax and Tara realised that they'd never get out of Charming with the clubs blessing. The season stalled quite dramatically after this episode, but like Season 2's 'Balm' and Season 3's 'NS', 'Hands' proved that Sons of Anarchy is the more than capable of putting terrific episodes of television.5. Louie - 'Eddie'
4. Parks and Recreation - 'Andy and April's Fancy Party'
3. Game of Thrones - 'Baelor'
2. The Office - 'Goodbye, Michael'
'Goodbye Michael' might not be the best episode that The Office ever produced, but it was the perfect send off for the character for the character Michael Scott and Steven Carell. Yes the show probably should have ended with this episode, and yes the parts of the season that weren't really dealing with it being Steve Carell's last year were just as flat as any moment from The Office's worst points. But the departure of Michael Scott was everything that a fan of this show could hope for. Every single fair well to all the characters on the show were pretty much perfect, and the moment that Jim walked into Michael's office once he realised that Michael wouldn't actually be showing up for his 'last day' tomorrow, the tears started to come. Sometimes emotions can make something seem better than it probably is (see the Lost finale), but if something makes you feel an emotion, then screw the tiny insignificant faults, you've been made to care about fictional people, and that's all that really matters in the end. And of course, Steve Carell's final words on the show were going to be 'that's what she said'.1. Breaking Bad - 'Salud'
Every year I sit down to write this list, there are always one or two shows that could fill the entire lists with absolutely fantastic episodes, and for the past three years, Breaking Bad has been one of those shows. Narrowing down just one of the thirteen episodes from Breaking Bad Season 4 was so difficult, it could have easily been 'Box Cutter', 'Hermanos', 'Crawl Space' or 'Face-Off' but I have decided that 'Salud' is the episode that was probably the clearest example of what Breaking Bad so effortlessly good in its fourth year. Season 4 is the year that Giancarlo Esposito (Gus Fring) stepped up and proved that someone in the acting world could stand up to the immensity of Bryan Cranston (Walter White) and Aaron Paul (Jesse Pinkman), and this episode played to all three of their strengths. From Walt's tearful admission of guilt to his son, to the intensity of the final few minutes as Gus put his plan into motion to poison Don Eladio and all of his capos. Director Michelle MacLaren (Season 3's 'One Minute') continues to prove that she is one of the best directors currently working in television, as she directs the best episode of the year two years in a row.
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